Skip to main content

This is about Protoje's sold out debut show in London

So, Friday night was all about Protoje's first show in England. And where better for it to be held than Brixton? Nowhere! That's where. The night was hosted by Sir David "Ram Jam" Rodigan. Who better to give you the blessing for your first show in England, in Brixton? You guessed it, me! That's who. Nah, I'm joking. No one - duh.


I arrived in the ram pack place as Toddla T and Serocee were on deck. I was watching my don Orvill McKenzie fight on t'telly so missed Kiko Bun (was looking forward to seeing him as well). Toddla and Sero were running some electro takes of dancehall music. Fully representing what they're about. I mean, they played a special of Sizzla "Just One Of Those Days". That's cold!

So next up was Rodigan, looking like a bus conducted with a pouch full of 45's. Not a gun - vinyl. He asked the crowd who remembers bus conductors. Judging by the noise and the average age in there, its safe to say the liars were out in full force. Or maybe they were so tanked up on liquor and ready for a good night, they thought it'd be good to interact. He shouted out Maverick Sabre, fellow Rebel Sound members Chase & Status and Dizzee Rascal in the place.

First half of Rodi's set was educational. Some Barrington Levy, Yabby You, Dennis Brown et cet. Second half was love to the newer music, so drawing for big ones like Damian Marley "Welcome To Jamrock", Cham "Ghetto Story" (the special version about Rodigan clashing Barry G), Beenie Man "Who Am I?" (a song he's credited for breaking in England) before Chronixx "Here Comes Trouble" and Tarrus Riley "Gimme Likkle One Drop" which both drew bigger responses than I'd anticipated.

I feel like now's a good time to tell you about the crowd. I'd say it was mainly about 18-27 year-old white people. This was a big confirmation for me as I'd always thought it would be in my head for the longest. Not comparing to show who's better or whatever, but in comparison, Chronixx's Ram Jam crowd was mainly black from young to old with non-black's making up about 25% max. First Chronixx show was definitely 97% black.




But moving onto the reason most of us were there, Protoje. Now readers of this blog will know I went to see Protoje for the first time in France last year. This was my first time seeing him with English-speaking people, therefore a different experience. Also, the new album was finally released so the set list reflected that.

Kicked off with "I & I" as he did in France. Third song was "Sudden Flight" off the new album so I knew I was in for a different set quite early on. Not gonna mention every song cah mi nuh waan bait up di man ting, uthimi? "Who Dem A Program" drew a big response and 'Oje dropped some unreleased lyrics about his fellow reggae revival acts. Sick lyrics.

Sarah Lugo guested for a performance of "Really Like You" following "Rasta Love". The crowd sang the chorus word for word on the latter. One thing I noticed about this show compared with the France one is he didn't spend as much time getting the crowd to sing along on many occasions 'cos the people understood English, innit. Crowd showed their appreciation in a similar way - loud cheers and applause at the end of each song.




In line with Ancient Future, there was emphasis on patching new with the old, por ejemplo Black Uhuru "I Love King Selassie" on "Hail Rastafari" (I think), Anthony Johnson "Gushot" at the tail end of "Sudden Flight" and John Holt "Police In Helicopter" on "Protection". The latter two used as samples for latest album tracks.



Last two tracks performed were monster hits "Who Knows" and "Kingston Be Wise". Only thing I'd say is they should've been part of an encore. Solid debut show. Congo Natty followed with some reggae hits and jungle vibes, then Jack Swift and Mighty Moe with garage flavours.



Solid debut performance. Really professional, well delivered and matching of his stature. I look forward to his return.

Roll on Anthony B, Jah 9, Yami Bolo and Addis Pablo on Easter Monday 6th April [tix here]
Marcia Griffiths + Friends (Bob Andy, Judy Mowatt, Tanya Stephens and Richie Spice) at Shepherds Bush Empire, 17th May [tix here]
More Life featuring I-Octane, Macka Diamond and Stone Love from Jamaica alongside Ms. Dynamite from UK and Mighty Crown from Japan at Brixton Academy on 24th May [tix here],
Chronixx at the historic Somerset House as part of Summer Series on 12th July [tix here]
Jimmy Cliff at indigo at the o2 on 7th August [tix here]

Comments

Popular posts from this blog

Marvin Sparks x Raekwon interview

Wu-Tang's in-house "Chef" better known as Raekwon proved he is still a force to be mentioned alongside the hottest rappers in the hip hop game with the release of Only Built For Cuban Linx... pt. II - sequel to his 1995 debut album. Marvin Sparks caught up with the hip hop legend to discuss rapping for drug dealers, people caring "more about stats than raps", his inclusion in MTV's Top 10 Hottest Rappers list, and converting to Islam. Marvin Sparks: It has been almost fifteen years since the first Only Built For Cuban Linx, an album that was a 5-mic classic when The Source magazine held weight. Why did you decide make a sequel?

White band win Reggae Grammy x Koffee x Skillibeng

So a white American reggae band called Soja won the Best Reggae album award at the Grammy's? And you care because? You feel Jamaicans are losing reggae because the Grammy's (a white institution) gave their white American man award to a white American reggae band? You blame the Jamaican government for not showing enough love and support to the music because this is the result? But you don't realise you are giving the Grammy's that much power and don't see where the problem lies? Well let me tell you; the problem is within you. I understand the outrage. Jamaicans built the music and are rarely compensated for all the hard graft. There have been countless examples of the music being used by someone else, often to better results because we live in an ignorant and racist Western world. Historically, white reggae artists like The Police or UB40 are able to achieve better results in the white man's world than reggae artists that are far superior to them. Bruno Mars , J

Bounty Killer vs Vybz Kartel - Father vs. Son

Unlike Ele vs Flippa this war actually has substance. If you don't know here's a brief: After being written a few songs by said artist, Bounty Killer (Killa) introduces and mentors (sons) Vybz Kartel Kartel appeared & performed at Beenie Man (Killer's arch-enemy since 190-long) wedding Kartel declares emancipation from Bounty Killer-led Alliance camp stressing the need to grow his own wings to fly Killer calls Kartel ungrateful Mavado and Kartel war begins, Killer makes a whole heap of subliminal songs directed at Kartel... Kartel has made a few songs directly dissin Killer, but Killer never really outright replied causing many and even Kartel ( Click for Vybz Kartel dissin Alliance "Suck pu**y Killer can't diss me" ) to suspect the once fearless Killer was running scared of the 'War Angel' aka Gaza yout' Vybz Kartel. Killer finally plucked up the courage to send shots at Kartel But most notably with Chatta Box Vybz Kartel allegedly missed a b