So, I've waited this long to post this entry. I apologise, hopefully you still enjoy it. Here's last years edition
If you wanna read a breakdown of reggae and dancehall from Jamaica, check Erin McLeod's breakdown here
Disclaimer: your favourite song may be missed. That's how it goes sometimes.
2012 was Jamaica's 50th year of independence from Britain, so it's only right I follow up last years post. I wrote a series of posts dedicated to how Jamaica has given back to "Mother Britain" since independence through various styles of Jamaican-infected UK music. You can check that out here. I also interviewed grime god father Wiley on how Jamaican and other Caribbean music influences him and shaped our scenes.
Click read more below to, er, read more.
DJ and producer duo Ras Kwame and Jnr. Tubby continued their Orange Hill Production outfit, dropping a few songs including a Sneakbo and Vybz Kartel collaboration "Pon Time". Dropped a cool CGI video too. p.s. you can check the interview I did with them for the good folks over at LargeUp[dot]com.
There weren't as many rappers using dancehall influences in 2012 as 2011. Nah, they traded it for YMCMB auditions (stole that from Azealia Banks) also known as more USA geared stuff hoping to be spotted on YouTube by some American. I guess everything goes through cycles.
One of the frequent bashment riddim users Cashtastic told me (on Twitter) he'll return to bashment this year. He did link up with old time collaborator Stylo G for "Swagga Don". Here's hoping none of his future songs sound as bad as this.
Remember those two cheesy Roll Deep UK singles chart number ones? Don't worry if you don't (very cheesy). Well anyway, a chick called Jodie Connor sings chorus on "Good Times". She hooked up with the UK bashment leader Stylo G to create Patois-laced, r&bashment single "Talk" where they encourage each other to confess their thoughts or "talk di tings!"
2011's biggest UK bashment track "Call Mi A Yardie" by Stylo G became the unofficial Jamaican national anthem during the track & field week of the London 2012 Olympics. As you should know, Jamaica celebrated their 50th year of "independence" from the British.
Bolt called the Jamaican-born, southeast London resident up to perform his anthem at the popular Puma Yard chill and/or party spot in Brick Lane (east London) the day the Jamaican men retained 4 x 100m Gold in a World Record time.
(Skip to 1:15)
He also performed it in Wembley Arena at the Red Bull Culture Clash as a special guest for the Major Lazer team alongside Usher, Rita Ora and Johnny Osborne. Probably was a bigger track in 2012 than the initial year it touched road.
And if that wasn't enough, he topped off the year by joining Skepta, Sway, Baby Blue and others signing a deal to 3 Beat record label. We'll see what material he brings forth this year. Who knows, UK bashment may have a chart hit by the end of the year. Sure to get the bandwagon going again...
Fellow British reggae artist, Gappy Ranks, dropped two notable bashment songs this year, both clocking play via BBC Radio 1Xtra playlist. "Wine Pon Di Edge" and the Wundah-produced, Busy Signal-assisted "Money Finger"
Randomly, Busy Signal Reggae Music Again was named 7th best album of 2012 by the BBC. Check the list here.
Onto another bashment frequenter, Brixton's own Sneakbo. Following a tumultuous 2011; highs of setting the streets ablaze with everything he put online (namely dancehall reworkings Vybz Kartel "Touch A Button", Jah Vinci "Money Dream" and Mavado "Warn Them") to lows of sitting in jail on a "threatening to kill someone" charge. The latter prevented him promoting and performing single "Wave" which charted just outside the UK top 40, however, 2012 saw him finally make it.
Despite the failure of glossier, more radio/hip hop-sounding "Sing For Tomorrow", a trip back to the drawing board resulted in a song geared for dancefloors like "The Wave" called "Zim Zimma". Sneaky put the lyrics from his version of Vybz Kartel's "Touch A Button" on "The Wave", this time he chose to name-check the self-proclaimed King of Dancehall, Beenie Man. The housey-bashmenty single entered at #35 in the UK top 40.
B-side to the above single was a deeper track on a more dancehall-sounding beat called "Still Breathing". The remix featured friends Ard Adz & Sho Shallow who featured in last years equivalent to this post.
Oh, and Sneakbo and chums Ard Adz, Sho Shallow, Ambush, Timbo and Depzman chatted lyrics over Mavado's "The Messiah" in Ibiza for leading youth broadcaster SBTV.
One-time Sneakbo collaborator on a dancehall refix (Mavado "Starboy remix"), Chip (artist formerly known as Chipmunk), delivered a couple dancehall collaborations to follow up from 2011's club mainstay "Every Gyal" featuring the Gully Gad, Mavado. The Grand Hustle rapper dropped the good "More Money, More Gyal" with Mavado on his London Boy mixtape (listen below), the not too bad "Starlife" by I-Octane's and the downright horrible "25" with Mavado and Chase Cross.
Most out-of-the-blue shout out of the year goes to Drake for biggin' up Sneakbo. That was the most random thing ever. Drake says Sneakbo's flows on dancehall beats helped him on his own dancehall-inspired single "Take Care". Most in the UK believe Sneakbo to be one of the lesser lyrical talents in the UK, so a lot couldn't comprehend Drake's appreciation. To me, he gets to the point and knows how to make people move.
Aaaaactually, I just remembered pop superstar JAHstin Bieber called J Boog "Let's Do It Again" a song he could listen to forever during an interview with Reggie Yates on BBC Radio 1. That is 100% the most random shout-out of 2012. Check out the piece I wrote on Hawaiian reggae singer J Boog here.
Speaking of Drake, as heconfirmed pointed out in an interview with Kiss FM's Clara Amfo, "Take Care" uses a dancehall sound (drum pattern) because the typical 4x4 David Guetta euro-house vibe isn't his thing. Also says he looks forward to doing some more of that, so we'll see what happens with that. Anyway, the Rihanna-assisted single reached top 10 in the UK, his highest charting single lifted from the sophomore album of the same name.
Oh, and this guy quoted a whole load of dancehall songs this year. Mainly songs by his new mate, dancehall star Popcaan. Rihanna confessed her feelings for Chris Brown via Beres Hammond songs. Oh, and Drake RT'd that Beres has to sing at his wedding.
Speaking of chart success, Bajan pop band Cover Drive topped the charts with their second single "Twilight" - a pop take on dancehall. 75th best-selling single of 2012.
XFactor judge, 1/3 of multi-platinum (300k+ sales in UK) and fallen pop angel Tulisa dabbled in a bit, sampling Barrington Levi "Under Mi Sensi" on "Live It Up" with YMCMB rapper Tyga on guest duties. Peakeed at #11 on UK top 40. It's a dreadful song, so let's move on. Oh, and fellow bandmate and cousin Dappy (Ranks) released his dancehall-attempt "Yin Yang" as well as featuring on the above Bajan band Cover Drive "Explode". Not all that either, so click here if you don't mind a bit of mediocre jams.
Dancehall's most successful product, Sean Paul's second single "She Doesn't Mind" clocked three weeks in the second spot, held off top spot by Chris Brown's first #1 "Turn Up The Music" and Katy Perry's "Part of Me". Still hasn't notched a solo chart-topper in his career unless we count a hijack of Blu Cantrell's one-hit, 'cos lets be honest he stole the show. According to one thing I saw, it sold in excess of 330,000. Oh and he headlined BBC Radio 1Xtra's stage at Hackney Weekend.
Side note: this became his second video to surpass 100 million views (the first being the albums first single, "Got 2 Luv U". Doesn't mean it's a great song, does show reach though.
Wiley dipped back into his Caribbean roots on #1 hit "Heatwave". Whilst it's more soca than Jamaican genres, I'm dashing it in the post because not many others credit the soca-influence. And you may wanna check my interview with Wiley about Caribbean music influences on him and our scenes here. Why you rolling your eyes? Have I mentioned the interview in this post before or something?
Reggae's share in the albums market ended at it's highest percentage since 2005 helped by Now Thats What I Call Reggae ranking 7th best-selling compilation of the year and Bob Marley's greatest hits Legend re-entered the top 40. Singles were highest in the last 5 years too with Sean Paul's hit Electro-dancehall single "She Doesn't Mind" (ranked 41st best-seller of 2012) playing a major role. Below are official stats complied by the Official Charts Company.
Rinse FM's The Heatwave crew turned up the fire on their remix game this year turning Mosca's garage monster "Bax" into "Pum Pum Bax", invited some friends to jump on RDX's, er, "Jump" and TNGHT - "Higher Ground" featuring Mr. Lexx and a soca whining bumper instructional vocal from Nikisha. Most popular and impressive is the numerous riddims under Stylo G "Call Mi A Yardie"
If you wanna read a breakdown of reggae and dancehall from Jamaica, check Erin McLeod's breakdown here
Disclaimer: your favourite song may be missed. That's how it goes sometimes.
2012 was Jamaica's 50th year of independence from Britain, so it's only right I follow up last years post. I wrote a series of posts dedicated to how Jamaica has given back to "Mother Britain" since independence through various styles of Jamaican-infected UK music. You can check that out here. I also interviewed grime god father Wiley on how Jamaican and other Caribbean music influences him and shaped our scenes.
Click read more below to, er, read more.
Dub Phyzix and Skeptical feat. Strategy put out a song called Marka. Not gonna pretend like I knew who they were before or even go on like I'm any wiser now, so I'll just say this for what it is - a TUNE! Saw this tear into a lot of club nights.
DJ and producer duo Ras Kwame and Jnr. Tubby continued their Orange Hill Production outfit, dropping a few songs including a Sneakbo and Vybz Kartel collaboration "Pon Time". Dropped a cool CGI video too. p.s. you can check the interview I did with them for the good folks over at LargeUp[dot]com.
Recent comer Shakka set urban sites ablaze with beat-box + sung covers (or Shakkapella's) of popular mainstream songs. The West Londoner better known for more neo-soul sounding stuff released the best song of his career to my (and many others) ears. Clashing guitar rock stuff with reggae to create the fresh and pretty unique sounding "Sooner or Later" managing to find its way on BBC Radio 1Xtra playlist. The culture clash on the riddim matches the songs subject about identity being from Caribbean and living in a multicultural London.
He recently described his new sound as clashing alternative rock and reggae. We here at Marvin Sparks approve and are definitely excited. As you should know, we love when UK artists clash reggae with other genres to make fresh sounds. It's what we've been best at for the past 50 years.
He recently described his new sound as clashing alternative rock and reggae. We here at Marvin Sparks approve and are definitely excited. As you should know, we love when UK artists clash reggae with other genres to make fresh sounds. It's what we've been best at for the past 50 years.
There weren't as many rappers using dancehall influences in 2012 as 2011. Nah, they traded it for YMCMB auditions (stole that from Azealia Banks) also known as more USA geared stuff hoping to be spotted on YouTube by some American. I guess everything goes through cycles.
One of the frequent bashment riddim users Cashtastic told me (on Twitter) he'll return to bashment this year. He did link up with old time collaborator Stylo G for "Swagga Don". Here's hoping none of his future songs sound as bad as this.
Remember those two cheesy Roll Deep UK singles chart number ones? Don't worry if you don't (very cheesy). Well anyway, a chick called Jodie Connor sings chorus on "Good Times". She hooked up with the UK bashment leader Stylo G to create Patois-laced, r&bashment single "Talk" where they encourage each other to confess their thoughts or "talk di tings!"
2011's biggest UK bashment track "Call Mi A Yardie" by Stylo G became the unofficial Jamaican national anthem during the track & field week of the London 2012 Olympics. As you should know, Jamaica celebrated their 50th year of "independence" from the British.
Bolt called the Jamaican-born, southeast London resident up to perform his anthem at the popular Puma Yard chill and/or party spot in Brick Lane (east London) the day the Jamaican men retained 4 x 100m Gold in a World Record time.
(Skip to 1:15)
He also performed it in Wembley Arena at the Red Bull Culture Clash as a special guest for the Major Lazer team alongside Usher, Rita Ora and Johnny Osborne. Probably was a bigger track in 2012 than the initial year it touched road.
And if that wasn't enough, he topped off the year by joining Skepta, Sway, Baby Blue and others signing a deal to 3 Beat record label. We'll see what material he brings forth this year. Who knows, UK bashment may have a chart hit by the end of the year. Sure to get the bandwagon going again...
Fellow British reggae artist, Gappy Ranks, dropped two notable bashment songs this year, both clocking play via BBC Radio 1Xtra playlist. "Wine Pon Di Edge" and the Wundah-produced, Busy Signal-assisted "Money Finger"
Randomly, Busy Signal Reggae Music Again was named 7th best album of 2012 by the BBC. Check the list here.
Onto another bashment frequenter, Brixton's own Sneakbo. Following a tumultuous 2011; highs of setting the streets ablaze with everything he put online (namely dancehall reworkings Vybz Kartel "Touch A Button", Jah Vinci "Money Dream" and Mavado "Warn Them") to lows of sitting in jail on a "threatening to kill someone" charge. The latter prevented him promoting and performing single "Wave" which charted just outside the UK top 40, however, 2012 saw him finally make it.
Despite the failure of glossier, more radio/hip hop-sounding "Sing For Tomorrow", a trip back to the drawing board resulted in a song geared for dancefloors like "The Wave" called "Zim Zimma". Sneaky put the lyrics from his version of Vybz Kartel's "Touch A Button" on "The Wave", this time he chose to name-check the self-proclaimed King of Dancehall, Beenie Man. The housey-bashmenty single entered at #35 in the UK top 40.
B-side to the above single was a deeper track on a more dancehall-sounding beat called "Still Breathing". The remix featured friends Ard Adz & Sho Shallow who featured in last years equivalent to this post.
Oh, and Sneakbo and chums Ard Adz, Sho Shallow, Ambush, Timbo and Depzman chatted lyrics over Mavado's "The Messiah" in Ibiza for leading youth broadcaster SBTV.
One-time Sneakbo collaborator on a dancehall refix (Mavado "Starboy remix"), Chip (artist formerly known as Chipmunk), delivered a couple dancehall collaborations to follow up from 2011's club mainstay "Every Gyal" featuring the Gully Gad, Mavado. The Grand Hustle rapper dropped the good "More Money, More Gyal" with Mavado on his London Boy mixtape (listen below), the not too bad "Starlife" by I-Octane's and the downright horrible "25" with Mavado and Chase Cross.
Most out-of-the-blue shout out of the year goes to Drake for biggin' up Sneakbo. That was the most random thing ever. Drake says Sneakbo's flows on dancehall beats helped him on his own dancehall-inspired single "Take Care". Most in the UK believe Sneakbo to be one of the lesser lyrical talents in the UK, so a lot couldn't comprehend Drake's appreciation. To me, he gets to the point and knows how to make people move.
Aaaaactually, I just remembered pop superstar JAHstin Bieber called J Boog "Let's Do It Again" a song he could listen to forever during an interview with Reggie Yates on BBC Radio 1. That is 100% the most random shout-out of 2012. Check out the piece I wrote on Hawaiian reggae singer J Boog here.
Speaking of Drake, as he
Oh, and this guy quoted a whole load of dancehall songs this year. Mainly songs by his new mate, dancehall star Popcaan. Rihanna confessed her feelings for Chris Brown via Beres Hammond songs. Oh, and Drake RT'd that Beres has to sing at his wedding.
Speaking of chart success, Bajan pop band Cover Drive topped the charts with their second single "Twilight" - a pop take on dancehall. 75th best-selling single of 2012.
XFactor judge, 1/3 of multi-platinum (300k+ sales in UK) and fallen pop angel Tulisa dabbled in a bit, sampling Barrington Levi "Under Mi Sensi" on "Live It Up" with YMCMB rapper Tyga on guest duties. Peakeed at #11 on UK top 40. It's a dreadful song, so let's move on. Oh, and fellow bandmate and cousin Dappy (Ranks) released his dancehall-attempt "Yin Yang" as well as featuring on the above Bajan band Cover Drive "Explode". Not all that either, so click here if you don't mind a bit of mediocre jams.
Dancehall's most successful product, Sean Paul's second single "She Doesn't Mind" clocked three weeks in the second spot, held off top spot by Chris Brown's first #1 "Turn Up The Music" and Katy Perry's "Part of Me". Still hasn't notched a solo chart-topper in his career unless we count a hijack of Blu Cantrell's one-hit, 'cos lets be honest he stole the show. According to one thing I saw, it sold in excess of 330,000. Oh and he headlined BBC Radio 1Xtra's stage at Hackney Weekend.
Side note: this became his second video to surpass 100 million views (the first being the albums first single, "Got 2 Luv U". Doesn't mean it's a great song, does show reach though.
Wiley dipped back into his Caribbean roots on #1 hit "Heatwave". Whilst it's more soca than Jamaican genres, I'm dashing it in the post because not many others credit the soca-influence. And you may wanna check my interview with Wiley about Caribbean music influences on him and our scenes here. Why you rolling your eyes? Have I mentioned the interview in this post before or something?
Reggae's share in the albums market ended at it's highest percentage since 2005 helped by Now Thats What I Call Reggae ranking 7th best-selling compilation of the year and Bob Marley's greatest hits Legend re-entered the top 40. Singles were highest in the last 5 years too with Sean Paul's hit Electro-dancehall single "She Doesn't Mind" (ranked 41st best-seller of 2012) playing a major role. Below are official stats complied by the Official Charts Company.
2012 SINGLES SALES BY TYPE OF MUSIC (% UNITS)
GENRE |
2008
|
2009
|
2010
|
2011
|
2012
|
Pop |
28.1%
|
33.5%
|
38.3%
|
36.0%
|
38.5%
|
Rock |
31.2%
|
24.5%
|
17.2%
|
18.0%
|
20.0%
|
Dance |
13.2%
|
12.7%
|
12.6%
|
13.8%
|
13.8%
|
R&B |
18.3%
|
18.9%
|
18.0%
|
17.2%
|
12.3%
|
Hip Hop |
7.7%
|
8.8%
|
12.2%
|
10.2%
|
10.7%
|
MOR/Easy Listening |
0.5%
|
0.7%
|
0.8%
|
1.4%
|
1.5%
|
Classical |
0.0%
|
0.1%
|
0.1%
|
1.2%
|
0.9%
|
Reggae |
0.2%
|
0.2%
|
0.3%
|
0.6%
|
0.9%
|
Country |
0.3%
|
0.3%
|
0.2%
|
0.5%
|
0.5%
|
Folk |
0.2%
|
0.1%
|
0.1%
|
0.6%
|
0.4%
|
Jazz |
0.3%
|
0.3%
|
0.2%
|
0.3%
|
0.2%
|
2012 ALBUMS SALES BY TYPE OF MUSIC (% UNITS)
GENRE |
2008
|
2009
|
2010
|
2011
|
2012
|
Pop |
25.3%
|
29.0%
|
30.9%
|
33.6%
|
33.5%
|
Rock |
35.7%
|
31.0%
|
31.2%
|
29.4%
|
31.3%
|
MOR/Easy Listening |
7.2%
|
8.2%
|
7.5%
|
7.9%
|
7.6%
|
R&B |
10.5%
|
9.6%
|
10.4%
|
10.1%
|
7.2%
|
Dance |
7.9%
|
7.3%
|
5.8%
|
4.9%
|
6.3%
|
Classical |
3.7%
|
3.2%
|
3.5%
|
3.3%
|
3.7%
|
Hip Hop |
2.2%
|
4.3%
|
4.2%
|
3.4%
|
3.5%
|
Country |
1.8%
|
1.6%
|
1.4%
|
1.6%
|
1.5%
|
Folk |
1.2%
|
1.4%
|
1.3%
|
1.6%
|
1.4%
|
Jazz |
1.7%
|
1.5%
|
1.6%
|
1.5%
|
1.3%
|
Reggae |
0.8%
|
0.9%
|
0.6%
|
0.7%
|
1.0%
|
Blues |
0.5%
|
0.7%
|
0.6%
|
0.9%
|
0.9%
|
Children’s Audio |
0.5%
|
0.4%
|
0.4%
|
0.4%
|
0.4%
|
World |
0.5%
|
0.4%
|
0.4%
|
0.3%
|
0.3%
|
Spoken Word |
0.2%
|
0.3%
|
0.1%
|
0.1%
|
0.1%
|
New Age |
0.3%
|
0.2%
|
0.1%
|
0.1%
|
0.1%
|
2012 TOP SELLING ALBUMS BY GENRE
Pop | Emeli Sandé | Our Version Of Events |
Rock | Mumford & Sons | Babel |
MOR / Easy Listening | Michael Bublé | Christmas |
R&B | Rihanna | Unapologetic |
Dance | Calvin Harris | 18 Months |
Classical | Andre Rieu | Magic Of The Movies |
Hip Hop | Nicki Minaj | Pink Friday: Roman Reloaded |
Country | Lady Antebellum | Need You Now |
Folk | The Civil Wars | Barton Hollow |
Jazz | Michael Bublé | Sings Totally Blonde |
Reggae | Various Artists | Now That’s What I Call Reggae |
Blues | Jools Holland | The Golden Age Of Swing |
Rinse FM's The Heatwave crew turned up the fire on their remix game this year turning Mosca's garage monster "Bax" into "Pum Pum Bax", invited some friends to jump on RDX's, er, "Jump" and TNGHT - "Higher Ground" featuring Mr. Lexx and a soca whining bumper instructional vocal from Nikisha. Most popular and impressive is the numerous riddims under Stylo G "Call Mi A Yardie"
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